A-Seite
Vito Acconci, Ten Packed Minutes, 1977, 12:47 Min.
musikalische Ausschnitte der Aufnahmen von Leon Redbone, Cow Cow Davenport,
Eric Dolphy, Karl Berger und Ornette Coleman
Jana Haimsohn, Hav' a Lava Flow, 1977, 2:36 Min.
Terry Fox, The Labyrinth Scored for the Purrs of 11 Different Cats,
1976, 9:03 Min., Ausschnitt
B-Seite
Julia Heyward, Mongolian Face Slap Big Coup (Part One), Nose Flute
(Part Two), 1977, 8:48 Min.
Dennis Oppenheim, Broken Record Blues, 1976, 5 Min.
Meredith Monk, Rally, für 25 Stimmen, 1975-1976, 3:23 Min.
Meredith Monk, Procession, Stimme und Klavier von der Oper "Quarry",
1975-1976, 6:42 Min.
D-Seite
Diego Cortez, Arbiter, 1975, 1:42 Min.
Diego Cortez, You Pay, 1975, 1:45 Min. (Sound Track zum Film "Poisoning",
1975)
Jim Burton, High Country Helium, 1976, 5:58 Min., (mit: John Deak
- Geige und Percussion; Ed Friedman - Bottle Neck Gitarre; Jim Burton
- Peddle Steel)
Leandro Katz, Animal Hours, 1977, 7:50 Min. (Stimmen: Judith Hindra,
Ellen Friedenberg, Ted Castle, Leandro Katz)
Connie Beckley, Triad Triangle, 1977, 5:48 Min.
C-Seite
Laurie Anderson, Two Songs for Tape Bow Violin: Ethics is The Esthetics
of The Few - Ture (Lenin), Song for Juanita, 1977, 4:06 Min.
Laurie Anderson, Is Anybody Home, 1976, 4:27 Min. (für Schiffssirene,
Kamera, Treppen, Klavier und Gesang, mit: Peter Gordon - Klarinette;
Joe Kos - Schlagzeug; Scott Johnson - Bass; Laurie Anderson - Gesang
und Geige)
Laurie Anderson, It's Not The Bullett That Kills You - It's The
Hole (for Chris Burden), 1976, 3:49 Min. (mit: Scott Johnson - Gitarre,
Bass; Joe Kos - Schlagzeug; Ken Deilik - Harmonika; Laurie Anderson
- Geige und Gesang; Scott Johnson, Laurie Anderson & Ken Deifik
- Arrangement)
Diego Cortez, Cataract Monologue, 1976, 2:53 Min. (Ausschnitte einer
Ansprache zum "April Treffen", Belgrad, 1976)
Jacki Apple, Black holes/blue sky dreams, 8 Min.
Richard Nonas, What Do You Know, 1976-1977, 0:20 Min.
Laurie Anderson, Two Songs for Tape Bow Violin.
Single. Holly Solomon Gallery, New York, 1977
"This single - produced by Bob George - was part of Laurie
Anderson one-woman show at the Holly Solomon Gallery in New York,
and was displayed in a juke-box. The show contained work which was
considered part of the at the time very much acknowledged ’narrative
art’. Laurie Anderson carried this movement, which mainly
used a combination of fotografy and text into the new context of
analogue and electronic audiovisual media and their application
in performance art" (zit. nach http://www.kunstradio.at).
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