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 The
first paintings by the Haarlem artist Jacob van Ruisdael (1628/29-1682)
immediately marked him as a major innovator in the field of 17th-century
Netherlandish landscape painting. His choice of motifs and his treatment
of space and lighting sharply distinguish him from prevailing conventions
of the period. One of Ruisdael's most innovative early works is a
painting belonging to the Hamburger Kunsthalle, Landscape with a cottage
from 1646. This key picture forms the starting point of the first
exhibition in Germany ever to pay tribute to Ruisdael's impact on
the development of Netherlandish landscape painting. The exhibition
will mainly focus on Ruisdael's compositions in the 1640s and 50s.
Their modernity for the time is made particularly apparent when compared
with works by other Haarlem landscape painters such as Isaack and
Salomon van Ruysdael, Jan van Goyen, Pieter Molijn, Cornelis Vroom
and Allart van Everdingen. This aspect will be supplemented by several
of Ruisdael's later works (including the famous Windmill at Wijk from
the Rijksmuseum in Amsterdam), as well as works by other contemporary
and later painters such as Meindert Hobbema, Jan van Kessel and Jacob
van Mosscher. These works highlight the enormous influence exerted
by Ruisdael's 'landscape revolution' on Dutch painting.
 
In addition to the early works, the exhibition will show forty works
from the broad collection of the Hamburger Kunsthalle, many of which
have not been on display for considerable time. These will give an
insight into the range of Netherlandish landscape painting of the
17th century. They introduce the viewer to panoramic views and village
landscapes, winterscapes as well as nightscenes and seascapes painted
by Ruisdael's contemporaries.
As a special feature, the Hamburg exhibition will also include a
close examination of painting techniques. X-rays and detailed explanations
will reveal the conception and the painting process behind Ruisdael's
masterpieces.
This exhibition is organized in co-operation with the Frans Halsmuseum
in Haarlem and is supported by various renowned museums and private
collections. It includes approximately 80 works, of which 35 are on
loan from the Hermitage in St. Petersburg, the Metropolitan Museum
New York, the Rijksmuseum in Amsterdam and the Louvre in Paris. The
exhibition in Hamburg was made possible through the co-operation of
Philips GmbH; after being shown in Hamburg it will be transferred
to the Frans Halsmuseum in Haarlem (April 27th through July 29th 2002).
The exhibition catalogue costs Euro 26
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