Born
in Lisbon in 1956, Pedro Cabrita Reis is one of the leading Portuguese
artists of his generation. This exhibition will be his first
presentation in a German museum since 1996. Cabrita Reis has exhibited
widely and participated in numerous international exhibitions,
including documenta IX in 1992; in 2003 he represented Portugal at the
Venice Biennale. Currently, he is participating in the 10th Lyon
Biennale with two large works. In the most comprehensive show by the
artist to date, the Hamburger Kunsthalle is presenting around sixty
sculptures, including several large-scale pieces, paintings, drawings
and photographs from 1985 to 2009, in a display that fills the entire
basement floor of the Galerie der Gegenwart.
Since the early 1990s, Cabrita Reis’s work has revolved around the themes of housing, habitation, construction and territory. Along with artworks based on elements of everyday life, such as tables and chairs or doors and windows, he often creates expansive installations that fill entire exhibition spaces with both complex and imposing structures. He counters the classic white cube with his use of massive brick walls, found objects and industrial materials such as neon tubes, steel girders or rough wooden planks.
Pedro Cabrita Reis
is a keen collector, both of the flotsam of civilization and of sensory
impressions. For him, discarded everyday objects are just as welcome
finds as the panorama of an abandoned building site or an old olive
tree. Like retinal afterimages, such visual stimuli plant the seed of
an idea for one of his melancholic-archaic sculptures or for a new
painting. In his work, Cabrita Reis repeatedly addresses fundamental
issues of art; he explores the concepts of painting and sculpture and
develops sculptural methods of drawing in space. While Cabrita Reis’s
rugged walls and the cardboard sheds held together with adhesive tape
might at first glance seem to refer to social realities outside the
realm of art, they are not bound up with these realities, nor do they
attempt to duplicate them; instead, they transform them into intriguing
and sometimes quite literally opaque artworks. Wherever windows appear
in Cabrita Reis’s installations, they are invariably blind, boarded up
or painted over, the doors to his dwellings are inaccessible. Cidades Cegas
(Blind Cities) is the title of a group of works whose stoically
melancholic appearance alludes to the "homelessness” of man as a basic
constant of the human condition – one of the leitmotifs in Cabrita
Reis’s oeuvre.
In addition to works on loan from major museums and private collections, the exhibition features new works that have been developed especially for the Hamburger Kunsthalle presentation. After premiering in Hamburg, it will travel to the Musée Carré d’Art in Nîmes and the Museu Colecção Berardo in Lisbon. It is the first exhibition of the new curator of the Galerie der Gegenwart, Sabrina van der Ley, in the Hamburger Kunsthalle.
A comprehensive catalogue with 200 colour illustrations has been published to accompany the exhibition and features amongst other texts by António Lobo Antunes, Dieter Schwarz and Pedro Cabrita Reis. It is available from the museum shop.
Curated by Sabrina van der Ley
Assistant: Henrike Mund
Video by Hans Scheerer on You Tube
Made possible by:![]()
Supported by:
![]()
![]()
![]()
Pedro Cabrita Reis (*1956)
Pedro Cabrita Reis (*1956)
I dreamt your house was a line , 2003
(Hamburger Kunsthalle version, 2009)
Pedro Cabrita Reis (*1956)
The White Room (About T. S. Eliot) , 2006
Collection CAM, Calouste Gulbenkian Foundation, Lisbon
Pedro Cabrita Reis (*1956)
Lisbon Gates, 1997
Pedro Cabrita Reis (*1956)
Cabinet d’Amateur #1, 1999
Private Collection, long term loan to Fundação de Serralves -
Museu de Arte Contemporânea, Porto, Portugal
Pedro Cabrita Reis (*1956)
Links: Olhar, Olhar Sempre, 2000
Rechts: Les heures oublieés, 2004
(Hamburger Kunsthalle version 2009)
Pedro Cabrita Reis (*1956)
Links: Unframed #3, 2008
Rechts: L.T., 2002
© Pedro Cabrita Reis,
Photos: David Brandt