Lois Renner takes photographs in which the representation of reality
is defamiliarised by the
artist’s intervention, and the relationship of the depicted
spaces and objects to one another is
not immediately or easily comprehensible. The spaces shown in his photographs
have an
enigmatic character – are they real spaces or model-like constructions?
Are the objects
significant, or is their presence incidental? The gap between reality
and ‘art reality’
(Kunstwirklichkeit) is a theme that had already been visually explored
by Adolph Menzel in his
Atelierwand (Studio Wall). Werner Hofmann described Menzel’s
1872 painting as a “coded
manifesto”, emphasising the complexity of the work. This also
explains why the painting has
remained an inspirational force, also for the work of Lois Renner.
The exhibition includes three
works by Adolph Menzel on the subject of studio images: Atelierwand from the collection of the
Hamburger Kunsthalle, Atelierwand, 1852, from the Nationalgalerie Berlin
and the gouache
Friedrich d. Gr. besucht Pesne in Rheinsberg (Frederick the Great Visits
Pesne in Rheinsberg).
These will be presented along with approx. 7 large-format photographs
by Lois Renner.
Exhibition curator: Dr. Jenns Howoldt
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Adolph Menzel (1815-1905)
Studio Wall, 1872
© Hamburger Kunsthalle / bpk
Photo: Elke Walford

Lois Renner (*1961)
Atelierwand 750, 2003
C-Print/Diasec, 190 x 152 cm
© Lois Renner, Kuckei + Kuckei

Lois Renner (*1961)
Firewall 3000, 2003
C-Print/Diasec, 275 x 350 cm
© Lois Renner, Kuckei + Kuckei
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